Smocking Newsletter Vol.1 Issue 1

March 15, 1997

e-Mail:  smockingstore@att.net

Website: Garden Fairies Smocking & Needlearts Catalog

Smocking Newsletter - Beth-Katherine Kaiman, copyright 1997-2007, all rights reserved. Please respect my creativity and hard work and ask permission before you copy something from these newsletters for your non profit goup, I always ask that you quote me correctly and give me credit with a way for people to get back to me. Thank you.  IF you wish to quote me in a venture for profit please contact me separately concerning royalties.

In This Issue:

Topics for Discussion

Beginner's Corner

Smocking Stitches

Smocking Herstory

Topics for Discussion

Our first topic is Pricing of Smocked Garments for Sale.

I would like to get a dialogue going from all of you as to what you think we, creators of beautiful things, should charge for the work that we do.

Personally I know that I undercharge, however there is some how believe that if it is priced too high then the garment will never sell or will sell only to those who are willing to pay a high price for beauty. What do you think?

Recently we held a smocking chat on America On Line concerning this very issue. The general consensus was that we should charge $3.00 to $3.50 per row of smocking and about $20 for the construction of a basic yoke or bishop dress, excluding the fabric and lace costs, added embellishments and fancy work is extra that makes it about $35 to $40 per dress. Add in the fabrics and lace costs and a dress can sell from $60-$80 depending upon the cost of the materials. There is one lady who wholesales her smocked dresses, sized 2-6, to a fancy children's store for $85.00. (These dresses include smocking on front and sleeves with lots of bullions and lace on the sleeves. The fabric is Imperial Broadcloth or Imperial Batiste (which is 65% Polyester/35% Cotton). We also discussed the possibility of that where you live determines the pricing of your hand-smocked clothing along with the competition with discount stores and garments made in the Philippines and Mexico.

What you think?

Beginner's Corner

Attaching a Bias Strip to the Neckline

If you are a beginner in smocking or have a question please address your questions to this section.

During a smocking chat that we hosted a while ago SaharSmith described a new technique of applying your bias strip at the neckline by hand. Here is a copy of that log:

SaharSmith  : you lay the folded edge of the bias neck band on top of the first row 
              and pin it in place, then you stitch the herringbone at the very edge 
              between the fold and the pleats, understand
GarFairies  : so the bias band isn't attached yet to the neckline?
SaharSmith  : right, you do it with the stitch
GarFairies   : so it isn't stitched onto the back of the neckline?
SaharSmith  : no, its on the front
GarFairies  : No I meant machine stitching.  Usually I attach the bias band 
              matching right sides together
GarFairies  : and machine stitch, then I turn the bias to the back and whip into 
              place
SaharSmith  : oh, your bias is folded with the right side up
GarFairies  : Sahar do you machine the bias strip first onto the back of the neckline
SaharSmith  : no
GarFairies  : Ok so you pin the bias onto the neckline front with the bottom folded        
              under then you work the herringbone stitch onto the front
SaharSmith  : you got it
GarFairies  : now what about the back?
SaharSmith  : pull the band over and hand stitch
GarFairies  : Does this hold the neckline really tight through all those 
              washings?
SaharSmith  : I don't know.
GarFairies  : Hmmmmm, Sahar what I would do is to machine the bias to the 
              back and turn it over and then do that lovely stitch
SaharSmith  : what a smart idea!

* * *

About Backsmocking:

   The top row is usually not smocked in your design plates but is saved for the seam allowance. In order to get your pleats to stand upright during sewing it is recommended that you work the outline or stem stitch on the backside to hold the pleats in place, though Elizabeth Travis Johnson recommends that you work this stitch on the front.   If you work the cable stitch your pleats will be held together in groups of two thereby increasing the chance of your pleats bending over during sewing.   If you have A to Z Smocking you can see from the photograph what I am talking about.

Smocking Stitches

Rope Stitch

The oldest smocking stitch is the Rope stitch, also know as the outline or stem stitch. This stitch, the outline stitch, is worked with the floss always held in the up position after each stitch, creating a rope like texture. Holding your floss in the down position creates the same texture but is referred to as the stem stitch. Put together these two stitches create the wheat stitch.   (Work the outline stitch first, then come back and work the stem stitch just under it creating the wheat stitch).

Smocking Herstory
Part One

Plain and simply said Smocking is embroidery on pleated fabric. Looking at art for fashion history is somewhat distorted because mostly artists were commissioned to paint the gentry, though occasionally there were painters who painted life as it was happening and in the art of the different eras we see gradual evolution of clothing of the 'common folk' from simple wrapped garments to sewn clothes with embellishments including ribbon, braids and embroidery.

FW#221  English Smock  Multi Sized - Children 2-12 through Adults Small - Large (6-20)  Men's 30-42

Here is the pattern which started it all.  Two traditional patterns are included in this pattern, the Round Smock which is mid-calf length and slips over the head and the Smock Frock with a button-front opening.  Also included are instructions and designs for smocking and traditional embroidery designs.  Go wild for yourself and smock your favorite picture smocking designs for yourself and wear it at home or where ever you won't be censored (Mine is smocked with MJT's Morgan's Magic Dragons).  Or make it for gardening or a garden party with some of your closest friends.

Price $16.95
Quantity requested    

   

What we know of as Smocks or Smock Frock from the 1880's they evolved from the basic chemise garment that women and men wore during the middle ages as their undergarment or sleeping garment. The basic shapes of rectangles were easy to sew together without too much fuss. (The 'fussing' was on the outside embroidery.) Coverings for outdoor wear and work were essential to protect clothing (a trip to the mall to buy clothes just didn't exist) which were time consuming to replace. Before the Industrial Revolution of the mid 19th century in order to have clothes to wear one had to grow the flax or hemp for linen or raise sheep for their wool. The fibers had to be processed, linen or hemp was harvested and dried, pounded, spun into thread and then woven into cloth by hand. Then this cloth , usually bought or bartered at market, was made into garments. Garments were simple and functional or they were gaily embroidered and embellished with ribbons for special occasions like weddings and fairs. There were three basic styles of the Smock Frock, open neckline, buttoned down the front and the round smock.

From "Smocks and Smocking" Beverley Marshall - sorry, book is out of print, :-(

"From the Middle Ages to the eighteenth century a 'smock' was the name given to a woman's undergarment worn next to the skin and made of linen. Confusingly, this garment then became known as a 'shift' and later the French term 'chemise' seemed more appropriate for these beautifully embroidered items of underwear.

"The cut of the chemise was very similar to the early protective garb of the land worker and consisted simply of two rectangles joined together with spaces for head and arms. Since this was clothing at its most basic, it was usual for smock-type garments to be found in every period and country and worn by all social groups as outer clothing or underclothing.

"The land worker's protective smock was worn throughout western Europe; it varied in decorative detail from country to country, but the cut and style bore a close resemblance to what in England became known as the smock-frock. In Holland, it was a wit-kiel, meaning white smock, and the Italians wore a gabbanella, a poor man's frock, in the sixteenth century. In Scandinavia the skyla was the name for a similar garment, and the German kittel was made of dark coarse linen. Many modern versions of these peasant garments are still worn in blouse and shirt form - the similarity of cut is easily recognizable - the most familiar of all is the shirt of the Hungarian folk costume which for centuries has combined the basic elements of smock cut with ornate decoration and smocking."

It is easy to see how both the Basic Yoke Smocked Dress and the Bishop style dress evolved from these two garments. The curve of the armhole is a modern day evolutionary addition to fit (modern meaning 18th or 19th century).

Bishop Dress by Ellen McCarn

Raglan sleeves, smocked in the round.
Ellen McCarn's The Ultimate Bishop Dress  - Two sizes: Small 3mos - 4 and Large 5-12.
The instruction booklet included has over 140 illustrations and complete instructions for Pleating, 7 Sleeve Variations, Scalloped Hem, Heirloom Machine Sewing techniques and an adjustable geometric smocking design graph "Marie".  Also includes instructions for making an insert collar out of contrast fabric.  Ellen's instructions are the best, every step is detailed and illustrated in a clear and concise manner that is to be expected by a master smocking designer.

Price $12.00
Quantity requested    

Basic Square Yoke Dress by Ellen McCarn

Sleeves are set into a yoke, smocking is on the skirt.

Ellen McCarn's Basic Yoke Dress - Two sizes: 3mo - 4 yrs; 5 yrs - 14 yrs

This pattern has variations for smocked short sleeves, long sleeves, a jumper variation, Angel sleeves, angel sleeve with overlay and collar overlay.  Two separate sizes, 3mo to 4 years and 5 years to 14 years.

Instruction booklet included has over 150 step-by-step illustrations and instructions for Pleating, 10 Sleeve Variations, 8 Collar Variations, Scalloped hem, Skirt Variations and heirloom Machine Sewing techniques.  The adjustable geometric smocking design graph "Christy", pictured on the front cover, is included.

Price $12.00
Quantity requested    

My sense is that what we call embroidery evolved from a way to hold two pieces of cloth together to a way of expressing the creative spirit. Knowing how the feminine mind works it is easy to assume that the boredom of doing the same stitch over and over again lead to the creation of different stitches which gradually came to be known as embroidery. This same process lead to the development of clothing away from wrapped garments to simple squares and rectangles put together, and when some brilliant mind reasoned that by gathering up fabric at the neckline or waistline it would give more room at the hemline and knowing the feminine minds desire to invent or create something beautiful smocking was born. Necessity they say, is the mother of invention. Smocking primarily evolved as a way to add warmth at the chest and wrists because mostly in England the weather was cold and/or wet as well as a way to add volume to the garment for warmth and ease of walking.
Once the creation of pleats or gathered fabric was solved then the problem of holding down those pleats arose and it's easy to see that the evolution of smocking went hand in hand with the evolution of what we call crewel embroidery. The stitches are identical: the running stitch (to make the pleats), the outline, stem, cable, feather and sometimes chain stitch are both found in smocking and crewel work. Something had to be used to hold the pleats in place. Originally I believe the pleats were mashed down, held down by embroidery on top of them, but later the desire to hold the pleats upright lead to the invention of what we know as smocking, grabbing only one third of the pleat with your needle and floss to make it stand upright.

It's history, as far as I have been able to trace, goes back to at least the 10th century when ladies figured out a way to add more fabric to their clothing without having it too bulky all the way across their bodies. Smocking at the neckline was common on men's shirts. The gradual evolution into workmen's smocks in the 16th, 17th, 18th & 19th centuries constitute what we recognize as SMOCKS. These smocks became elaborately embroidered with symbols of the persons profession.

It was the industrial age with the fast machinery which was the reason people stopped wearing smocks in factories. Less voluminous protective clothing was required so it wouldn't get caught in the machinery. (Having once got my long sleeve caught in a bursting machine and watching my arm slamming into the paper separating bar brought that truth home to me with intense realism.)

Interesting Web Sites:

SAGA (Smocking Arts Guild of America) address

I hope that you have enjoyed this first edition of the Smocking Newsletter, please send your comments and questions to smockingstore@att.net.

"When your tail is missing, remember that you have every right to mope." -- Eeyore


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Smocking Newsletter - Beth-Katherine Kaiman©Copyright 1997-05, all rights reserved